Battleship potemkin soviet montage8/8/2023 ![]() Next Section Irony Previous Section Part 5: Rendezvous With the Squadron Summary and Analysis Buy Study Guide How To Cite in MLA Format GradeSaver "Battleship Potemkin Symbols, Allegory and Motifs". ![]() It took a united front behind Lenin and the Bolsheviks for revolution to finally succeed. It also took much debate before the Russian revolutions could get under way, including a major ideological split between communist factions in 1903. We see all sorts of disagreements and alternate viewpoints, as well as some attempts to distract and disrupt (the man who yells invective against Jews) before everyone more or less agrees on a course of action. The public debates among the people of Odessa at the pier are meant to represent the debates and disagreements which had to be ironed out among Russians before revolution could be viable. This is meant to symbolize that the sailors are not yet radicalized and involved in the revolution they are “asleep” to the problems of Russia and need to be “awakened” by Vakulinchuk so that the mutiny can begin in earnest. The sailors begin the film asleep below decks. In this scene the steps of the soldiers down the stairs towards the innocent people are shown and are cut offbeat to the drumming (methods,74). In contrast, the sharing of food from the storeroom and the transport of food supplies from Odessa to the ship represent solidarity between the sailors and townspeople. A famous sequence of film still frequently referenced in film that uses this type of montage would be the ‘Odessa steps’ sequence from Eisenstein’s own film Battleship Potemkin. The rotten food shows how little the officers care about the sailors. Food (Motif)įood and the exchange of food is the method Eisenstein uses most frequently to illustrate the nature of the relationship between characters. Vakulinchuk’s body is even reposed in public in a very similar manner to Lenin’s body. This is directly analogous to Vladimir Lenin, the Bolshevik leader who had died recently when the film went into production. Vakulinchuk is presented as a noble martyr, the person whose initiative was necessary to start the revolt that his fellows ultimately finish. The waves cannot break the rocks, but the water indicates that the tide is turning against the Tsar. This symbolizes the struggle of the Russian people against the seemingly intractable Tsarist regime. At the opening of the film, we see waves crashing against a cement barrier in Odessa.
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